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DPL4519G View Datasheet(PDF) - Micronas

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DPL4519G Datasheet PDF : 64 Pages
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DPL 4519G
PRELIMINARY DATA SHEET
2.2. Preprocessing I2S Input Signals
The I2S inputs can be adjusted in level by means of the
I2S prescale registers.
The I2S_3 interface is able to receive more than two
channels (see Section 2.6. on page 8). The incoming
signals can be resorted by a programmable matrix in
order to obtain a certain order, which means an unified
postprocessing afterwards.
Since the I2S_3 interface is asynchronous, incoming
sound signals with arbitrary sample rates in the range
of 8-48 kHz are interpolated to 48 kHz by means of an
adaptive high quality sample rate converter. Therefore
all subsequent processing is calculated on a fixed
sampling rate, which even can be synchronized to
I2S_WS e.g. to a MSP 4450 being locked to an incom-
ing NICAM signal.
2.3. Selection of Internal Processed
Surround Signals
Instead of having an multichannel input via the I2S_3
interface, a multichannel signal can be created by an
internal Dolby Pro Logic decoder. In that case chan-
nels 3..8 of the multichannel input are replaced by the
internally generated signals.
2.4. Source Selection and Output Channel Matrix
The Source Selector makes it possible to distribute all
source signals (I2S input signals) to the desired output
channels (Main, Aux, etc.). All input and output signals
can be processed simultaneously. Each source chan-
nel is identified by a unique source address.
For each output channel, the output channel matrix
can be set to sound A (left mono), sound B (right
mono), stereo, or mono (sound left and right).
2.5. Audio Baseband Processing
2.5.1. Main and Aux Outputs
The following baseband features are implemented in
the Main and Aux output channels: bass/treble, loud-
ness, balance, and volume. A square wave beeper can
be added to these outputs. The Main channel addition-
ally supports an equalizer function (this is not simulta-
neously available with bass/treble).
2.6. Surround Processing
2.6.1. Surround Processing Mode
Surround sound processing is controlled by three func-
tions:
The "Decoder Matrix" defines which method is used to
create a multichannel signal (L, C, R, S) out of a stereo
input.
The "Surround Reproduction" determines whether the
surround signal “S” is fed to surround speakers. If no
surround speaker is actually connected, it defines the
method that is used to create surround effects.
The “Center Mode” determines how the center signal
“C” is to be processed. It can be left unmodified, dis-
tributed to left and right, discarded or high pass fil-
tered, whereby the low pass signals are distributed to
left and right.
2.6.1.1. Decoder Matrix
The Decoder Matrix allows three settings:
ADAPTIVE:
The Adaptive Matrix is used for Dolby Surround Pro
Logic. Even sound material not encoded in Dolby
Surround will produce good surround effects in this
mode. The use of the Adaptive Matrix requires a
license from Dolby Laboratories (See License
Notice on page 3).
PASSIVE:
A simple fixed matrix is used for surround sound.
EFFECT:
A fixed matrix that is used for mono sound and spe-
cial effects. With Adaptive or Passive Matrix no sur-
round signal is present in case of mono, moreover in
Adaptive mode even the left and right output chan-
nels carry no signal (or just low frequency signals in
case of Center Mode = NORMAL). If surround
sound is still required for mono signals, the Effect
Matrix can be used. This forces the surround chan-
nel to be active. The Effect Matrix can be used
together with 3D-PANORAMA. The result will be a
pseudo stereo effect or a broadened stereo image
respectively.
8
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